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Someone from Eugene’s Bier Stein pointed me (via Twitter) to this article by Saul Austerlitz in the Times magazine. It discusses the rise of “poptimism,” the backlash among music critics against those who have long lauded mainly old, white dudes.
The reigning style of music criticism today is called “poptimism,” or “popism,” and it comes complete with a series of trap doors through which the unsuspecting skeptic may tumble. Prefer Queens of the Stone Age to Rihanna? Perhaps you are a “rockist,” still salivating over your old Led Zeppelin records and insisting that no musical performer not equipped with a serious case of self-seriousness and, probably, a guitar, bass and drums is worthy of consideration. Find Lady Gaga’s bargain basement David Bowie routine a snooze? You, my friend, are fatally out of touch with the mainstream, with the pop idols of the present.
Poptimism wants to be in touch with the taste of average music fans, to speak to the rush that comes from hearing a gr
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Source: Beervana.
Read the full article here.
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